魔王撒旦的奴隶

　　供职于国情局的青年警员金秀贤（李秉宪 饰）即将和心爱的女孩珠燕走入婚姻的殿堂，但是在一个飘雪之夜，独自驱车夜归的珠燕被人残忍杀害并分尸。秀贤痛不欲生，他找到四个主要嫌疑人的照片，开始独立追查凶手。经过一番调查，终于将目标锁定在为某学院包车的中年大叔张京哲（崔岷植 饰）的身上。张生活坎坷，性格极度扭曲，他经常袭击夜归的女子，并将她们无情杀害。秀贤找到张的据点，对其进行残酷的惩罚，却最终手下留情。侥幸活命的张反而由此激发所有的兽性，一场野兽对野兽的修罗之战渐次激烈……
　　本片也部分镜头过于血腥而成为韩国首部被限制上映的商业影片。

《鬼吹灯之巫峡棺山》在鬼吹灯系列原本世界观下，讲述了胡八一三人勇探地仙村的故事。Shirley杨的意外怀孕让身陷血印诅咒胡八一面对更为紧迫的压力。通过孙教授的考古邀请，他得知12年一开的地仙村封氏古迹之中，或许藏有能解咒的尸丹，谁知地仙村古迹却是个易入难出的险恶之地，摸金小队一路涉险，惊觉Shirley杨的怀孕是孙教授设下的圈套……

　　Sarah, a struggling young woman living in Brooklyn, agrees to volunteer as an experimental subject for a pharmaceutical company called Dynamic Health Cure to be the bearer of LEXX and make money to solve her financial troubles and take care of her mother who has Alzheimer's. A nano chip is planted into her cerebral cortex and designed to take control of the body in order to contain diseases as soon as they occur. But when the implant with artificial intelligence turns sinister and orders her to commit crimes, Sarah is plunged into a murderous spiral with only one choice: to live or die.

　　一部在当时来说构思和拍摄较为出色的一部恐怖电影。内容是一个清朝女子和一男人通奸，被村民捉奸并将女人浸猪笼。女子充满怨气的魂魄开始在海水中蔓延。时间切到199X年的香港，一女子游泳被水中异物拉住脚溺水而亡，腐烂发臭的尸体漂到岸边被人发现，后送到警察局法医鉴定处之后所发生的一系列恐怖事件。

　　本片根据真实事件改变. 俄罗斯美女露西亚娜入境纽约后, 濒于生活崩溃的边缘, 除了保姆的工作之外, 她还得担任另一份危险的工作: 脱光后, 与世界最具有毒性的蜘蛛共处一隅....

　　这个夜晚将永远改变荫城居民的生活：今夜，历史将重演，而萨拉·菲尔诅咒的起源也终将浮出水面。

　　年轻夫妇马克（Stephen Cromwell 饰）和莎拉（Niamh Algar 饰）驱车外出度假，当他们开到爱尔兰某郡的偏远乡村时，却迷失了前进的方向，汽车更在昏暗的小路上抛锚。万般无奈，马克独自前往附近的村庄寻求帮助，谁知竟在一户人家里发现脖子部位遭到咬伤的男子。马克连忙折回叫上莎拉，试图对受伤者施以援手。他们小心翼翼走进那户人家，结果并没有看到受伤男子。未过多久，马克突然遭到抓狂男子的袭击。二人夺路逃亡，爱尔兰寂静的夜晚仿佛变成了地狱的最底层。
　　丧失人性且嗜血如命的行尸走肉疯狂追杀猎物，马克和莎拉的假期成为恐怖的噩梦，他们二人最终能否逃出生天……

　　七个年轻人去一个荒凉的森林寻找熊，他们不知道的是，一个疯狂的越南老兵住在那里，他正在等待新鲜的血液……

　　东宝的“变身人类系列”第2弹。犯人突然从游乐园的游乐设施内的杀人现场消失了。线索只有被害者所持有的“军用行李二号”的纸条和现场掉落的铁丝。军用行李二号收的金条的去向，以及从犯罪现场消失的诡计！？

　　艾玛（梅根·福克斯饰演）因为不可告人的秘密被她丈夫发现，从而陷入了其丈夫精心策划的一个复仇乱局。丈夫用手铐将艾玛和自己拷在一起，并在她面前开枪自杀。之后的所有一切，似乎都没有办法逃脱其丈夫死前的算计。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb