1
1.0

斯坦和奥利

导演:
乔·拜尔德
主演:
史蒂夫·库根,约翰·C·赖利,雪莉·亨德森,妮娜·阿里安达,丹尼·赫斯顿,斯蒂芬妮·海姆,萨西·凯恩,鲁弗斯·琼斯,宾利·卡鲁,桑吉弗·科赫利,丹尼尔·弗恩,迈克尔·海登,尼克·欧文福特,哈里·赫普,加里·基利,莱蕾·迪克斯,丽贝卡·埃莉斯·兰姆,西蒙·阿格
别名:
未知
1.0
1人评分
英语
语言
未知
上映时间
未知
片长
简介:

  1953年,Stan Laurel和Oliver "Babe" Hardy是世界上最受欢迎的喜剧二人组,在英国综艺厅进行巡演。随着年龄的增长和他们作为好莱坞喜剧之王的黄金时代的结束,他们面临着不确定的未来。两人开始在全国各地巡回演出,观众人数少得令人失望,但是他们总是能够让彼此开怀大笑,他们表演的魅力和美丽也在观众的笑声中闪耀,他们与大批崇拜他们的粉丝重新建立了联系,不管是新的还是老的。

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  马西莫(迈克尔·莫罗内 Michele Morrone 饰)出生于一个非常繁盛的西西里黑手党家族之中,从小肩上就背负了继承家业的重任。身为族长的父亲遭人暗杀,尽管马西莫对与黑道这点事情毫无兴趣,但作为家族唯一的继承人,他只能接替父亲的位置,成为了首领。
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上映时间:03月16日
主演:小老虎,拉姆·查兰·特哈,阿贾耶·德乌干,阿莉雅·布哈特,奥利维亚·莫里斯,施芮娅·萨兰,雷·史蒂文森,艾莉森·杜迪,塞缪拉卡尼,钱德拉·塞卡,马卡兰德·德斯潘德,拉杰夫·卡纳卡拉,拉胡尔·拉玛克里斯纳,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,马克·班宁顿
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  1920年,英国总督斯科特和他的妻子凯瑟琳访问阿迪拉巴德的一个部落,并强行带走了部落里歌唱天赋异禀的小女孩玛莉,部落的保护者比姆(小老虎 饰演)为了救回玛莉,伪装成穆斯林。斯科特得知消息后,总督府的底层卫兵拉朱(拉姆·查兰·特哈 饰演)为了升职也同时为了完成他父亲遗愿和他对部落承诺,主动请愿自己可以将比姆逮捕。
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上映时间:04月15日
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:

  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
  
  Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
  
  Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
  
  Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
  
  Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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