卧窗惊魂

　　When hundreds of videotapes showing torture, murder and dismemberment are found in an abandoned house, they reveal a serial killer's decade-long reign of terror and become the most disturbing collection of evidence homicide detectives have ever seen. Written by Tribeca Film Festival

　　艾伦·佩吉（Ellen Page）正在洽谈主演索尼哥伦比亚影业翻拍的1990年恐怖片《灵异空间》（Flatliners），该片又名《别闯阴阳界》或《脉搏探测器》，将由瑞典版《龙纹身的女孩》导演涅尔斯·阿登·欧普勒夫（Niels Arden Oplev）执导、《源代码》（Source Code）编剧本·瑞普利（Ben Ripley）改编。
　　《灵异空间》讲述几个医学院的学生为了体验死后的感觉进行了一项大胆的试验：他们瞬间停止心脏跳动和大脑机能，达到临床死亡状态，然后很快恢复。试验成功了，但他们始终无法忘却那恐怖的濒死体验，而且有些东西似乎也随着他们死而复活来到了阳间。

　　警察谷永民（刘智泰 饰）曾经失手导致一名人质死亡，这次失误导致他辞职，并在反复出现的噩梦中不能自拔。如今在叔叔的商场中担任保安室长的谷永民遇上了新的案件：曾经发生过大火的商场在整修后准备重新营业，但是商场内却发生了连环凶杀案。所有被害人都在镜子前看似自杀，然而他们的伤口却是由外力所致，难道这一切真是镜中出现的鬼影所为？谷永民在凶案现场发现了每次都出现的神秘女子，又发现了所有死者之间的联系。谷永民调查到当时在大火中死去了一名商场职员李正贤，他找到后者的双胞胎妹妹李智贤，一步步接近了凶案背后的真相……

　　一个沉迷于鲨鱼的连环杀手绑架了一个无忧无虑的冲浪者，绑在自己的船里，要举行一个仪式把她喂鲨鱼。她的新男友发现恋人失踪，前来寻找，却也被这个疯癫的杀手所擒……

　　玛丽安（凯瑟琳·德纳芙 Catherine Deneuve 饰）和约翰（大卫·鲍伊 David Bowie 饰）已经不太记得请他们究竟在一起多长时间了，他们只知道，每过7天，他们都需要饮下人类的血液，以此保留青春，没错，他们都是吸血鬼。约翰的突然衰老给玛丽安带来了恐慌，因为在她漫长了生命里，这样的事情发生过不止一次，然而每一次，能终结这种衰老的只有死亡。
　　萨拉（苏珊·萨兰登 Susan Sarandon 饰）将自己的毕生精力都投入到了研究长生不老药上面，不幸的是，萨拉的研究也无法挽救约翰，他最终死去。美丽性感的莎拉吸引了玛丽安的注意，可莎拉却并不想像玛丽安那样变成吸血鬼。为了反抗玛丽安，莎拉选择了自杀，站在莎拉的尸体旁，玛丽安知道，自己将再一次陷入到无尽的孤独和寂寞之中。

　　A misfit gang of runaways and orphans are taken in by a dark and charismatic father figure who together wreak havoc throughout swamps and trailer parks of central Florida.

　　死亡铃声再次来袭，恐怖的阴影再次笼罩在人们头上！
　　记者孝子（瀬戸朝香饰）一直在坚持不懈地调查鬼来电系列案件，这一次，她终于在台北的一个村庄找到了事件背后的真相。原来这一切都是一个叫李丽（小泉奈々饰）的小女孩造成的。当年，愚昧的村民把他们以为不祥的李丽在此活埋了，李丽的怨气积聚，以致在她死后将怒气通过杀人发泄。
　　在杏子（ミムラ饰）的好友接二连三被杀死后，她某日亦收到鬼来电，不愿坐以待毙的杏子和男友尚人（吉沢悠饰）一起来到台北，企图和咒灵顽强抵抗！

　　兰利副警长追踪一名被绑架的女孩到一个废弃的鬼城。然而，该镇并没有被遗弃，而是被歹徒德夫林（Devlin）及其帮派的鬼魂所困扰，他们将同样死去的市民作为人质，直到歹徒被一名执法人员杀害。

　　一位穷书生Stefano从未婚妻那得到了一台二手打字机，他发现打字机里缠绕着一盘特殊的碳带，上面写着一些古怪的文字。经过考证，Stefano发现文字遗留者是一位名叫Zeder的科学家，其科学实验发现：某些古老地形竟可以让死者复活。。。

　　I am awestruck by this movie. Fast zombies that can use weapons, even guns, and are capable of intelligent thought. They plot a strategic offensive to take over the city, hitting the airport, then the TV stations and the power plant. If you love horror, gory, and violent movies and don't mind a little bad acting, then you will LOVE this movie. It is exciting and even a bit suspenseful. It starts out fast and hard and maintains a steady pace of mayhem and carnage.
　　I can't believe more people haven't seen this film. I have yet to meet a horror movie buff that has seen this film before. It is a true gemstone of European horror and exploitation, definitely up to par with the classics of the genre such as Zombi 2, Demons, House by the Cemetery, etc. And it's even readily available uncut (92 minutes) on DVD from Anchor Bay (under the title "Nightmare City") and on VHS under the title "City of the Walking Dead." Super gory and violent, a must for fans of Italian grind house flicks.

　　美国新英格兰地区的普德顿大学流传着一个名为“斯坦利堂大屠杀”的恐怖传奇，话说25年前，一名异常心理学教授在斯坦利堂大开杀戒随后自杀，这起血腥惨案至今在学生中间广为流传。适值此时，校园内发生一连串的凶杀案。校报记者保罗·加德纳（杰拉德·莱托 Jared Leto 饰）坚信凶手就隐藏在校园内，他的朋友之一娜塔莎·西蒙（艾丽西亚·维特Alicia Witt 饰）更将此事与斯坦礼堂大屠杀联系起来。他们二人携手调查此事，在这一过程中，他们的朋友借二连三遇难。娜塔莎吃惊地意识到，她和保罗已经进入凶手设下的狩猎陷阱之中。
　　越逼近真相，危险便离他们越近……

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb