4
9.0

不安

导演:
罗伯托·罗西里尼
主演:
英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
别名:
未知
9.0
4人评分
其它
语言
未知
上映时间
未知
片长
简介:

  Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

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简介:

  灵璧奇石“五岳钟灵”,因为苏东坡品鉴而号称天下第一奇石。 在灵璧县衙前举办的赛石大会上,民女张钟灵突然现身,因为奇石“五岳钟灵”的归属,状告当乡富豪王百石。王百石极力争辩,似乎也能自圆其说。结果,知县认定张钟灵属于无赖讹诈,意欲责罚。这被乔装富商暗访的乾隆看在了眼里,乾隆指使美妃出面,保下民女张钟灵。 张钟灵非常机智,给冒充富商的乾隆提供了一些有力证据,证明父亲确属王百石害死,“五岳钟灵”确属他们张家所有。并对假扮富商的乾隆承诺,若能为父申冤而自己愿以身相许。乾隆通过明察暗访,认定张钟灵所言属实。在铁证如山的情况下,支持张钟灵二次上告。 知县沈布休二审奇石。张钟灵证据确凿,有理有据。不料,王百石准备更加充分,他当众陈述,振振有词,有理有据。理由更加充足,证据更加坚实。知县只好声明要惩罚张钟灵。知县已经掌握了所有证据,占有了所有优势,果然,致使在场所有倾向张钟灵的人都失望了。 因为知县步步为营,已把案子做成了铁案死案。乾隆万般无奈,乾隆为了解救张钟灵,同时平息民愤,只好派太监得儿带大内侍卫进一步探查证人、证据,乾隆自信他沈布休审案,不可能万无一失。 乾隆三审奇石。张钟灵得知富商就是当朝圣上,更是闯衙告御状。张钟灵进一步展示新的真凭实据,致使王百石无言以对。眼看着张钟灵稳操胜券。不料,知县挺身而出,当面坦然承认,此案与王百石等人无有干系,上下里外,都是自己一人策划并催促实施。愿意被杀头,但是,要说出真正的原因。乾隆答应。于是知县细说缘由:原来,他是为了乾隆大清江山的安危考虑,不得不尔。他申述的理由,居然说服了乾隆。 然而,张钟灵据理力争,并不认同这一“道理”。张钟灵突然亮出来自己的杀手锏,却发现乾隆上当,知县沈布休和王百石奉献给皇上的“五岳钟灵”奇石竟然是个赝品。那真正的“五岳钟灵”奇石又藏在哪里呢? 聪明圣上的发现了深藏在已经死去的张老员外内心的一个秘密。

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2.0
上映时间:04月15日
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简介:

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