1
6.0

致命柔情

导演:
李海兴
主演:
吕平滢,宋洋,吴静一,罗曼雅
别名:
未知
6.0
1人评分
国语
语言
未知
上映时间
未知
片长
简介:

  歌女夏荷偶然邂逅富商司恒,司恒为夏荷的自尊自爱所动,执意娶夏荷为妻。夏荷为其真诚所动,嫁入豪门,一夜之间成为轰动全城的灰姑娘。司恒的表妹曼真一直暗恋司恒,见自己的梦想破灭,也在同一天嫁给了**局副局长楚明涛。两对新婚夫妻就此住在了司家的大院里。管家文姨总是一身黑衣,虽然口口声声地叫着夏荷 “夫人”,却总是像在叫另一个女人。佣人也经常抱着崇拜的口吻谈论“夫人”,但夏荷知道他们口中的夫人不是自己。终于,文姨带夏荷到了一个神秘的房间,那也是大院里的禁地。文姨告诉了夏荷司家上一任女主人翎融的故事,翎融是前清格格,十分完美,司恒也十分爱她,可却在一年前骑马时意外摔下山坡,至今没有找到尸体。司恒发现夏荷去了翎融房间,震怒中告诉夏荷,不要在他面前提起翎融,夏荷以为司恒旧情难忘,更觉伤心。夏荷为了寻一张翎融的照片,去了司恒书房,不巧遇到也在司恒书房找东西的楚明涛,司恒误会两人之间有什么秘密。为了赢得司恒的心,夏荷开始模仿翎融,在司恒为夏荷举行的宴会之上,在文姨和曼真的摆布下,不知情的夏荷竟然打扮成了翎融的样子,司恒再次暴跳如雷,震怒之下告诉夏荷,自己不想再看见她。夏荷伤心欲绝,跳河自尽,幸得楚明涛相救。司恒不眠不休照顾夏荷两天,夫妻两人重归于好。夏荷经此一役终于明白,只有做自己才能真正得到司恒的爱,她并且向文姨和曼真宣战,要成为司家真正的女主人。文姨和曼真岂能示弱,两人再次设下圈套,让司恒撞见夏荷和楚明涛睡在一起,司恒再次崩溃,第二天竟然消失不见。
  为了寻回丈夫,夏荷再次打扮成翎融的样子,夏荷终于在河边找到了司恒,司恒把夏荷当成了翎融,竟然掐住了她的脖子。夏荷这时才明白,翎融是司恒杀死的。楚明涛娶曼真,来司家恐怕就是调查翎融死亡的真相。司恒和夏荷回到司家,明涛和**局的人已经在了,原来有人在悬崖下面发现一具尸骨。尸检发现,尸骨的左胸有枪伤的痕迹,夏荷明涛知道尸骨就是翎融却假装不动声色。明涛也渐渐怀疑翎融乃司恒枪杀所死,直到发现女尸的左脚有骨折的旧伤(翎融曾经骨折),明涛终于确定了自己的猜想。楚明涛邀请全城名流参加自己的**局局长就职典礼。夏荷司恒也在受邀之列,两人到了才发现,明涛打算利用这个机会,揭露出翎融之死的真相。就在他要说出凶手名字的时候,一声枪响,曼真打死了楚明涛。司恒去监狱里看望曼真,曼真说她不允许任何人伤害司恒。司恒回到家,发现夏荷被文姨抓住了,文姨一番哭诉后误杀了司恒,自己最后也自尽了。

猜你喜欢
换一换
15
10.0
HD中字
小丑
10.0
上映时间:03月25日
主演:华金·菲尼克斯,罗伯特·德尼罗,马克·马龙,莎姬·贝兹,谢伊·惠格姆,弗兰西丝·康罗伊,布莱恩·考伦,布莱恩·泰里·亨利,布莱特·卡伦,道格拉斯·霍奇斯,格伦·弗莱舍尔,比尔·坎普,乔什·帕斯,但丁·佩雷拉-奥尔森,玛丽·凯特·马拉特,迈克尔·本茨,莎珑·华盛顿,桑德拉·詹姆斯,托尼·赫德,曼德拉·贝拉米,乔·奥克曼,卡尔·伦德施泰特,米克·奥罗克,大卫·吉布森,伊万·罗萨多,安妮·比萨比亚,布莱斯·科里根,乔恩·道格拉斯·雷尼,艾恩斯利·丹恩,杰森·约翰·奇卡莱塞
简介:

  湿冷无望的哥谭市,卑微的亚瑟·弗兰克(华金·菲尼克斯 Joaquin Phoenix 饰)依靠扮演小丑赚取营生。与之相依为命的母亲患有精神疾病,而亚瑟深记母亲的教诲,无论遭受怎样的挫折都笑对人生,却因此让自己背负着莫大的压力,濒临崩溃。他梦想成为一名脱口秀演员,怎奈生活一次次将失望狠狠地砸在他的头上。不仅如此,他因意外丢掉了工作,偶然瞥见母亲的秘密,又使他心中燃起对那个与之地位悬殊却从未谋面的父亲的殷切渴望。命运习惯了事与愿违,空荡荡的地铁内,悲伤的小丑在无法自已的癫狂笑声中大开杀戒……
  本片荣获第76届威尼斯电影节金狮奖。

15
HD中字
小丑
主演:华金·菲尼克斯,罗伯特·德尼罗,马克·马龙,莎姬·贝兹,谢伊·惠格姆,弗兰西丝·康罗伊,布莱恩·考伦,布莱恩·泰里·亨利,布莱特·卡伦,道格拉斯·霍奇斯,格伦·弗莱舍尔,比尔·坎普,乔什·帕斯,但丁·佩雷拉-奥尔森,玛丽·凯特·马拉特,迈克尔·本茨,莎珑·华盛顿,桑德拉·詹姆斯,托尼·赫德,曼德拉·贝拉米,乔·奥克曼,卡尔·伦德施泰特,米克·奥罗克,大卫·吉布森,伊万·罗萨多,安妮·比萨比亚,布莱斯·科里根,乔恩·道格拉斯·雷尼,艾恩斯利·丹恩,杰森·约翰·奇卡莱塞
1
2.0
HD中字
荣耀六十年
2.0
上映时间:04月15日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:

  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
  Roger Philip Mellor

1
HD中字
荣耀六十年
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
统计代码