电影《志愿军》三部曲系列终章《志愿军:浴血和平》聚焦抗美援朝第五次战役后直至签署停战协议期间“边打边谈”的作战历程。前线战斗血火交锋,谈判桌上唇枪舌剑,面对敌人的一再挑衅,中华儿女合力反击,誓要奉陪到底,经过747天的抵死奋战,终于打破了美军不可战胜的神话,搏来了期盼已久的和平。
为陪伴在家人的身边,丹尼尔出狱后,回到了家乡马赛。他的女儿玛蒂达,是一位刚成为母亲的实习销售助理,而他的伴侣尼古拉斯,则是每天疲于奔命的自由职业司机。某天夜里,一位因生意损失而心生怨恨的出租车司机袭击了尼古拉斯,他们平静的生活就此改变…
擅以极简手法挖掘男女情感关系的韩国名导洪常秀,新作《在你面前》让缪斯金珉禧退居幕后,邀来韩国影视资深女星李慧英饰演一位重新适应韩国生活的中年女子,埋着秘密和姊姊生活在一起,她和一名导演相约在首尔巷弄里的小酒吧見面,正当两人打开话题、酒酣耳热之际,外头突然下起倾盆雷雨。洪常秀以看似日常的举止,韵味十足的对白,男女一来一往间,竟也带出衰老与死亡的生命顿悟。
住在北海道的主人公・外村直樹(山崎賢人)和高中钢琴的调音师・板鳥宗一郎(三浦友和)相遇开始。在板鳥调音后的钢琴音色中外村仿佛感受到了森林的气息,为这个工作以及调音师的世界所吸引而开始在板鳥所在的乐器店工作。 因钢琴而联系到一起的人们中,他还遇到了高中生钢琴姐妹和音和由仁 ……。经历了烦恼,迷茫,挫折后成长的青年钢琴调音师的故事。
乔什·维金斯、凯尔·麦克拉克伦、玛丽亚·贝罗等主演,基思·贝尔曼执导。麦克拉克伦与贝罗饰演已分手的一对夫妇,然而他们的儿子(维金斯饰)在一次聚会意外后,将面临人生的巨大震颤。 幼时已是好友的少年Franky(乔什·维金斯)和Ballas(戴伦·曼)既是同班同学,也在同一游泳队,他们也都有各自的女朋友,然而Franky生日派对过后发生的一件事,使得他们今后的生活发生了天翻地覆的变化。
故事开始于1980年的东京,佐佐冈鲇子(优希美青 饰)是从东京来到冈山生活的转学生,因为浓重的口音,鲇子始终都无法顺利的融入到班级中去,班上的同学还因为她的口音给她取了“古怪佐佐冈”的外号。唯一能够安抚鲇子的心情的,就是她的男友秀穗(矢野圣人 饰),善于绘画的鲇子将自己和秀穗的恋爱小故事画成了漫画。 巧合的是,这本漫画被班上人气很高的女生秋本武美(足立梨花 饰)读到了,武美非常喜欢漫画里的情节,以此为契机,武美和鲇子之间结下了深厚的友谊。某日,鲇子和秀穗因为一场激烈的争吵而分手了,这让鲇子坠入了人生的低谷。
朝鲜第十代王燕山王君时期,艺人长生(甘宇成饰)和孔吉(李俊基饰)因为不肯加入当地的艺人团,来到京城汉阳谋生。此时暴君燕山君(郑镇荣饰)沉迷于宠妾张绿水(姜成妍饰),朝纲混乱,民不聊生。 长生与孔吉二人在街头开始表演讽刺君主的喜剧,大受欢迎,却遭逮捕。后要求到王面前表演,求得一笑。结果,多亏孔吉的急中生智,燕山君才笑了出来。两人随即被留在宫中取乐,孔吉更是因为美色令王倍加宠爱。他们不停表演,大臣们却各自心怀鬼胎,导致了杀戮局面。最终,君王和艺人的命运又将如何呢?
本片改编自同名韩漫,前篇将于2025年3月上映,后篇将于同年5月上映,讲述了两个帅哥争夺化妆后的女神,是一部令人心跳加速的三角关系爱情喜剧故事。主人公丽奈,因为朴素无趣的容貌在学校被欺负,不久就不去上学了。但是,与化妆的命运的相遇使她发生了巨大的变化。从零开始学习技巧,不断努力的结果,完成了谁都回头看的“女神”的大变身。 罪恶级的美丽,以及转校后辉煌的学校生活。告别过去的自己,重新开始完美的人生的丽奈,因为意想不到的意外被同班的男生俊看穿了素颜的秘密,由此展开了意想不到的波折。
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
一对年轻情侣前往西北部山区露营,当他们意识到周围并非只有他们自己时,事情开始急转直下。
The Speed Sisters are the first all-woman race car driving team in the Middle East. Grabbing headlines and turning heads at improvised tracks across the West Bank, these five women have sped their way into the heart of the gritty, male-dominated Palestinian street car-racing scene. Weaving together their lives on and off the track, SPEED SISTERS takes you on a surprising journey into the drive to go further and faster than anyone thought you could.
老农民阿方索回到了自己的家乡照顾身患重病的儿子,他重新找到了曾经居住的老房子,却发现自己的前妻带着女婿和外孙依然住在这里。等待着他的故乡已经几乎变成一片荒原,庞大的甘蔗种植园环绕着他的老房子,日夜烟雾缭绕。阿方索17年前抛下家人离开,如今他试图重新返回,挽救亲情,却发现 在这个已经物是人非的地方,很多答案只能自己去寻找。
邱启辰三兄弟机缘巧合来到海南黎族红山村,对美若天仙的黎族姑娘阿雅一见钟情。为博得阿雅的欢心,三人绞尽脑汁却闹出了一出又一出让人啼笑皆非的闹剧。为表决心,邱启辰三兄弟正式踏上黎乡创业之路,希望带领黎族村走出贫困……