追击

　　这是苏在她的家乡尖竹汶府的最后时刻。她将在不久后前往芬兰学习。她最好的朋友百丽陪着她完成临行清单。也许是最后一次，她们骑着摩托车在熟悉的街上徘徊，穿过小镇的角落和缝隙，遇到不同的人，无论多么努力掩饰，总有些心结需要解开。BNK48组合成员Jennis和Praewa再触大银幕，共同演绎羁绊隐秘的少女心事。

　　五十岁的芙美（小林聪美 饰）独自住在滨海小镇，每天过着规律的生活，一早先来个健康操，中午和同事们坐在堤岸吹着海风共进午餐，下班后则准时到社区戒酒会报到。日复一日的平凡生活，却因某夜一块从天而降的陨石改变了。这几亿分之一的机率降临后，芙美渐渐发现周遭各种过去不曾留心的人、事、物。寡居好友的新恋情竟是为亡夫诵经的和尚；邻家小男孩航平大喜大悲的初恋情事；戒酒会导师背后不为人知的惊人面貌；以及初到镇上的新面孔，那个擅长用露草叶子吹出美妙音律的男人吾郎（松重丰 饰），两人从互相注意到心动，他们不过问彼此的过去，也不去想遥远的未来，只是共享当下，一起停下脚步感受被遗忘已久的幸福，而那些尘封许久的悲伤往事也奇迹般地得到抚慰。

　　一个女人试图与她疏远的家庭重新建立联系，结果以谋杀和怀疑告终。

　　杰克的母亲带著全家搬到新的小镇，15 岁的他因此开始接触卡丁赛车，并全心投入这项运动。儘管藏有神秘过往的资深赛车手和新挚友对杰克的支持不遗馀力，他还是得先学习改变自己的莽撞个性，才有获得全国冠军的机会。《卡丁赛车王》将于 2020 年 3 月 13 日在 Netflix 上线。

　　Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive gure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm's world is falling apart around him. In the midst of this crisis, Colm solicits sex from a young man called Jay. This encounter and his growing infatuation has a deep effect on Colm. He finds a comfort in Jay that no one else can provide.

　　应是举家同欢的新婚之夜，新郎与新娘却彻夜不见踪影。未久，绑架恐吓如恶梦袭来，赎金之高令人绝望，在家族工坊勉力谋生的姊姊，完全无力负担。然而，为了挚爱胞弟与家族颜面，她必须在有限时间用尽一切手段，在传统封闭的犹太部落筹措救命之财……。师事俄国大师苏古诺夫的导演巴拉果夫，改编家乡真实故事，运用特别比例景框巧妙表现人际间的远近亲疏，穿越宗教传统与政治现实的沉痾，不停叩问心中的家庭核心价值：自我牺牲。

　　Minjae is a highschool teacher during the day, but at dusk, he goes out on the streets and join with youth who are alienated from school and home. Due to an incident, Minjae is put to the test again to protect his students ─ Jigeun and classmates.

　　性格孤僻的男孩塔塔，跟父亲、妹妹和奶奶一起生活在一个怪诞、神秘的村庄里。塔塔的父亲是村长，妹妹正在上小学，他们一家靠卖羊奶为生。塔塔和羊奶加工厂的女司机巫行云相爱，性情古怪的巫行云一直想拍电影成为大明星，她试图加入一个到城里拍电影的神秘剧组但被拒之门外，塔塔很希望帮她实现梦想却无能为力。巫行云决定去参加伊比利亚的派对，实现自己的巨星梦。她走了以后，塔塔变得愈发孤独，只有驴在默默地守护着他。而在分别前，巫行云把村子里一个关于羊奶的秘密告诉了塔塔。

　　这是一部非常风格化的作品，主角是一名年轻的威尔士骑士，他来到一处神秘的古堡，在那里他见到了圣杯的幻像，但他自己却没有意识到；次日清晨，古堡人去楼空，骑士继续出行，当他猛然醒悟到自己看到了圣杯再回去时，古堡已经消失，于是他只能继续他的圣杯寻访之旅。影片完全在摄影棚内拍摄，布景故意做得很“假”，而且台词和动作多有重复，颇有一点曲艺的效果。

 由金马影展发起之《10+10》电影联合创作计划，号召台湾电影人大团结，共汇聚二十位台湾电影导演，每人分别拍摄五分钟短片，以「台湾特有」为中心题旨，但不限形式与剧本内容，完全授权给每一位导演自由发币挥、想象与创作。《10+10》意谓这二十位导演将拍摄出片长一百分钟的电影， 影展也期待这聚合一气的影响力，激发出远超过影片本身的庞大能量！
　　这二十部“台湾特有”的短片，类型有温馨、有纯爱、有惊悚、有纪录、有荒谬、有黑色喜剧、有社会写实亦有魔幻想象，有旧日重现亦有当代现况，议题包涵了城乡差距、时代变迁、自我嘲讽、校园暴力、家族情感、青春情怀、媒体力量、历史回顾等等，全面观照了台湾社会过去这百年来的变迁，也从中掏洗出历史洪流里不可或忘的记忆与情感。金马影展期待《10+10》不仅只是一部电影，在值此百年之际，汇聚这些优秀导演们的创作能量，透过影展向国际发声，让台湾的文化与创意软实力更被全世界看见。

　　1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。
　　Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.
　　From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).

　　该作品改编自2000年同名纪录片，讲述塔米·菲（杰西卡·查斯坦 饰）和吉姆·贝克（安德鲁·加菲尔德 饰）这对夫妇作为电视福音布道家的大起大落。在上世纪70-80年代，塔米·菲和吉姆·贝克从贫寒中奋起，创建了当时世界上最庞大的宗教广播电视网和一个主题公园，他们传递的爱、接纳和繁荣的主题受到人们的尊敬。塔米 · 菲以她夸张的睫毛，独特的歌声、以及她热情拥抱各行各业的人们而成为传奇。不过好景不长，经济上的不当行为、诡计多端的竞争对手以及性丑闻的爆发使得这对夫妇的婚姻破裂，导致他们精心构建起来的帝国开始崩塌。