停电夜杀手

　　二战末期，荷兰的犹太姑娘雷切尔（卡里斯·范·侯登 Carice van Houten 饰）和她家人刚刚逃过死神关口，来不及喘息又遭到德国军船的扫射，只幸存下雷切尔一人。躲避在暗处的雷切尔把叛徒的样子牢牢记在心上，她的一生都为寻找这个人而孤注一掷。
　　她为了隐藏身份，当了一名歌手，然而阴差阳错竟让她开始了另一条人生道路。游击队队长让雷切尔混进德国阵营中，去搭救他被逮捕的儿子。于是，美丽的雷切尔成功俘获了德国军官的心。一切都好像进展顺利，但雷切尔的一个机密任务，却让她陷入了四面楚歌的境况。
　　复仇的决心还在雷切尔心中熊熊燃烧，叛徒还在某个阴暗的角落……

　　怪獣ブームのさなかに日活が1967年に製作した怪獣映画。渡辺明の原案を、『放浪のうた』の山崎巌と、『殺るかやられるか』の中西隆三がシナリオ化し、『日本仁侠伝 花の渡世人』の野口晴康が監督した。巨大怪獣の脅威と親子の情愛を中心に描き、恋愛ものの要素までも取り入れた意欲作。雑誌記者の黒崎浩は、カメラマンの小柳糸子と共に、船津社長の命を受けて南海諸島の探検に出かけた。2人には、生物学助教授の殿岡が同行したが、たまたま、ある火山島に上陸した3人は、薄気味悪い洞窟を見つける。その奥には巨大な卵があって、島民の話ではガッパの卵だという。ガッパとは、身長70メートル以上、ワニのような鱗のある太い胴体と4本の足、そして、前足から尾にかけて大きな羽根のある爬虫類である。ちょうど卵が割れてガッパの子供が現われたが、思わぬ獲物に喜んだ黒崎は、ガッパの怒りを恐れる島民の反対を押し切って、日本へ連れて行くことにするが・・・。

　　恶意的背叛会给你带来什么？毁灭性的打击？永久的创伤？现在，这个遭受了背叛的女人正被这股恨意推想复仇的极端之境

　　As a zombie virus breaks out, one ragtag group of trapped elevator passengers must pull together for a fighting chance of survival against an infected rider and the clever horde that awaits them outside.

　　The film opens with a narrated disclaimer over footage of an opening coffin. The narrator explains that the film's climax is so terrifying that it may kill the viewer, and reassures the audience that if they die of fright while watching the film, they will receive a free burial service, and it closes on the casket which has a card inside reading "Reserved for You."[1]
　　Newlyweds Jenni (Peggy Webber) and Eric (John Hudson) move into Eric's palatial country home. Jenni is Eric's second wife; his first wife Marion died when she accidentally slipped and hit her head on the edge of a decorative pond on the estate. At the home they meet Eric's friends, the Reverend Snow (Russ Conway) and his wife (Toni Johnson), as well as Mickey (Alex Nicol), the developmentally disabled gardener. Eric privately mentions to the Snows that Jenni spent time in an asylum following the sudden death of both her parents, and Mrs. Snow reveals that Jenni is very wealthy.
　　Jenni is disturbed both by Mickey's belief that Marion's ghost wanders the estate and by Marion's self-portrait inside the house, which Jenni believes resembles her mother. When she begins to hear unexplained screaming noises and see skulls around her house, she believes that Marion is haunting her. Though Eric speculates to Jenni that Mickey, who was a childhood friend of Marion and thus dislikes Jenni, may be behind the trickery, Jenni worries that she is going insane. Eric then suggests to remove Marion's self-portrait from the home. Eric and Jenni take the painting outside and burn it. While they clean up the remains of the painting, a skull emerges from the ashes. While Jenni panics at the sight of the skull, Eric denies that the skull is there. Jenni faints and Eric withdraws the skull and hides it, revealing that he was responsible for the trickery all along in an effort to get hold of her wealth.
　　Believing she has finally lost her sanity, Jenni resolves to be committed. She tells Eric that the entire property will be meticulously searched for the skull as a last resort. Before Eric can retrieve it, Mickey secretly steals the skull and brings it to the Reverend, revealing Eric's plans. That night, Eric prepares to murder Jenni and stage it as a suicide. Jenni sees Marion's ghost in Mickey's greenhouse and flees back to the house. When she enters, Eric begins throttling her. The ghost then appears and chases Eric outside and about the property; it finally corners and attacks him, drowning him in the decorative pond.
　　After Jenni regains consciousness, the Snows arrive. Mrs. Snow comforts a hysterical Jenni and the Reverend discovers Eric's body in the pond. Some undisclosed time later, Jenni and the Snows depart from the house. Reverend Snow declares whether or not Marion's death was an accident will remain a mystery.

　　A teenage girl with self-esteem issues finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.

　　《干花》这部风格强烈的「艺术黑帮片」制作于任侠电影黄金时代的开端，以强烈反差的黑白摄影及武满彻诡异的配乐，带领观众梦游石原慎太郎原著的「仁义」地下世界。
　　作为松竹新浪潮的一员，篠田正浩则是自觉地离开片厂，走上独立制作的道路。篠田的《乾花》有趣的地方，可能是见到本是文艺小生的池部良，如何开始转型成为一位「任侠」。虽然在这部电影中，他还是一个典型的石原慎太郎太阳族小说的迷惘主人翁，但走上罪犯的道路后，他很快就成为「昭和残侠」的一员。日本的黑帮片，可能是把罪犯神话化的极致了。
　　《干花》，这部筱田正浩的新浪潮时期的作品，改编自石原慎太郎的原著。这部小说和另外一部石原慎太郎作品《太阳的季节》的出现，给新浪潮中重要一类电影立下了“太阳族电影”的名字。这部冷酷迷人的电影所展现出来的虚无主义情绪似乎比大岛洼的成名作《残酷青春物语》还要强烈得多，技术也更高超得多。
　　除了以自身阴郁的黑白摄影对原著进行的视觉呈现所散发出的独特气息，它仍残留着石原慎太郎太阳族电影——文学作品的印记。不过在此番中，通常发生在小说男主人公身上的反叛与虚无情绪被转移到了另一位神秘、迷人、疯狂、麻木、空洞、绝望的年轻女孩身上，而男主角却几乎成了黑色电影的经典形象——一个没有希望和生存目的的孤独杀手，迫不得已不得不继续在这条充满陷阱的路上走下去。男女主人公，刚欲建立起来的感情联系在这个危险和绝望的世界中迅速被自身的惰性和冷酷的外部世界撕裂了，还来不及清醒地确认自身的存在与悲剧感。
　　筱田正浩所采取的绝不是一种类型片的拍法，他的这部审视战后日本社会心理形态的作品，有着强大而深沉的批评力量。它是内敛的、阴郁的、冷酷的、无声尖叫的、像夜本身一样富于沉重的压迫感的。筱田正浩对人在一种极端主义的处境中性与爱的歧化的、隐性的表现，有一种独特的眼光和品位，他的作品既有政治和社会眼光的深度，并且似乎总是无法剥离的，又有人性基本层面上的批判视野的力度，他不像典型的桃色片电影导演那样官能化地聚焦于身体摹写的原欲自身，也绝不是一位禁欲风格的社会学或人类学纪录者，他擅长改编文学作品的才能使它成为一位将社会立意的内在主题寄寓在美不胜收的视觉语言和具有诱惑力的文学叙事上的美学拓建设者；他的作品的形式与思想结合的完美总是让人久久陷于震憾。

　　Dennis Allan is an scientist who visits Haiti on the strength of a rumour of a drug which renders the recipient totally paralyzed but conscious. The drug's effects often fool doctors, who declare the victims dead. Could this be the origin of the "zombie" legend? Alan embarks on a surprising and often surreal investigation of the turbulent social chaos that is Haiti during the revolution which ousted hated dictator "Baby Doc" Duvalier. Often a pawn in a greater game, Alan must decide what is science, what is superstition, and what is the unknown in a anarchistic society where police corruption and witch-doctory are commonplace.

　　英国摄制的间谍动作片，根据佛德烈．福赛的畅销小说改编，描述苏联的情报局计划展开一场惊天大阴谋，目的是要摧毁北大西洋公约组织和英美两国的友好关系。他们派出一名高级情报员乔装混入英国的一个小镇，伺机在当地的美军基地装置核弹加以破坏。迈克．凯恩饰演的英国间谍侦破这个阴谋，乃千方百计阻止奸计得逞。有趣的是饰演苏联特务的皮尔斯．布鲁斯南，日后却成为苏联特务的克星007。导演约翰．麦肯西处理气氛尚称紧凑，而冰天雪地的外景则增加了戏剧场景的可看性。

　　从伊拉克退伍回家的JACK，因为长期遭受战争的摧残，精神接近崩溃，死亡的幻觉笼罩在他全身，让他透不过气来......

　　谷口（田口智朗饰）和妻子（叶冈伸饰）有个儿子，他们一家过着普通的幸福生活。一天儿子被两个光头仔绑架并杀害。谷口既紧张又愤怒，心中充满了杀意。之后，被绑架的他被送到地下工厂做了人体实验，大批的光头仔在那里生产。
　　谷口被该组织的统治者（冢本晋也饰）改造成一个可怕的半枪械人——人类人体和枪械重武器的混合体，并最终成为钢铁打造的恐怖机械人。之后一个惊人事实出现，他和统治者竟然是亲兄弟，一场命中注定的对决随之开始。

　　该片由马克·史蒂文·约翰逊执导，改编自美国历史上一次的真实银行抢劫案件。