无眠夜

 故事发生在17世纪西班牙的巴斯克区，在一天夜晚卡塔琳从自己的农舍逃出，当她穿越山群在茂密的森林中徘徊时，察觉到有个身影正在暗中尾随她。佯装镇定后她遇到了三位正在洗衣的妇人，她们一边聊着村里的八卦，一边讲述着恐怖故事。但让她震惊的是，自己竟然是这些故事里的主角。

　　莎曼莎是保全公司的菜鸟，上班后的第一项任务是和前辈护送运钞车到指定地点，没想到前辈们早已心怀鬼胎，他们预谋抢夺运钞车，不料被黑帮得知情报，于是双方展开火拼！对抢案毫无所知的莎曼莎，中途被前辈下药昏迷，没想到醒来之后，凑巧碰到警察和黑帮交火，这不是正义和罪恶之战。导演马林德恰纳一向擅于描绘一个被误解的人内心状态和对外反应，在本片中，身处枪林弹雨的莎曼莎，却是最后一个存活下来的人，她是同伙、还是事件幕后的策划者？

　　本片在澳大利亚80年代初才被允许放映。
　　电影取材自50年代连续杀人魔Ed Gein的真实事迹。
　　几个年轻人——Sally (玛丽莲·伯恩斯 Marilyn Burns 饰） 、Franklin  (保罗A. 普泰 Paul A. Partain 饰）、Jerry (阿伦·丹齐格 Allen Danziger 饰）、Kirk (威廉·韦尔 William Vail）和Pam (泰瑞·麦克明 Teri McMinn 饰），驾驶房车驶入荒漠中的德州特拉维斯镇。途中，一个满身伤痕、丧魂落魄的搭车人（埃德温·尼尔 Edwin Neal 饰）。勾起了他们的好奇心，他们在他的带领下进入一幢阴森大屋试图弄清真相。大屋被一股神秘、恐怖的氛围所笼罩，仿佛有一双眼睛始终在窥视着他们的一举一动。正当这群年轻人惊恐万分、不知所措时，电锯声骤然而起，他们最后的噩梦随之降临……

　　孪生姐弟荒川瑛亚（秋元才加 饰）和大田佑嘉（本乡奏多 饰）的父母在两人初中时代离异，姐弟俩分别跟随父亲和母亲在两个城市生活。此去经年，佑嘉通过网络找到了瑛亚，并且向她介绍了被称为SCM的奴隶系统。通过特定的器械和游戏规则，可以将他人变成完全服务于自己的奴隶。与此同时，城市各个角落的青年男女各自为了成为奴隶主钩心斗角，战火连绵。佑嘉脑瓜灵光，鬼点子多多，他带着姐姐征战城市每一处战场，降伏了越来越多的奴隶，队伍不断壮大的同时，不知游戏何时是个重点……
　　本片根据冈田伸一的原作改编

　　英格万被送进了位于一座遥远小岛上的一所改造学校，在那里她了解到服从是唯一的生存法则。等级制度是这所学校的运行机制：处于上层的是得校长宠爱的学生，而英格万则处于底层。英格万到学校没多久，这里就发生了一连串奇怪的事故。当这些巧合堆积起来时，英格万禁不住想：她到底是受害者还是肇事者？

　　十八岁女孩玛丽亚（英迪娅·埃斯利 饰）经常受到同学欺负，使她变得自卑，害怕。有一天她发现镜子里的另一个她，艾兰。
　　艾兰（英迪娅·埃斯利 饰）既勇敢又无畏，帮助玛丽亚开启了复仇之路......

　　闹市的一户普通民宅，佐藤夫妇居住于此。丈夫克彦（役所広司 饰）是一名尽职和善的电视台音效师，全职太太纯子（風吹ジュン 饰）则精心打理家中的一切。平凡的外表下，纯子有着一项迥异于常人的能力，她可以同另一个世界的众生取得联系，甚至看到他们的身影。但是在这个所谓科学的现代化社会，心灵沟通似乎永远无法得到举世的承认。虽然偶尔有人登门求助，不过纯子还是希望能造福更多的人。与此同时，一名小女孩被人拐骗，女孩阴差阳错藏进克彦的工作箱，来到佐藤夫妇家。面对这一意外事件，纯子请求丈夫暂时将女孩留在家中，让她有机会用“超能力”帮助警方找到女孩，谁知这一过程中女孩竟意外死亡。
　　天堂与地狱，一念之差，万劫不复……

　　H.P. Lovecraft 小说改编.《活跳尸》导演“斯图尔特·戈登(Stuart Gordon)”和满月公司合作的一部冷门的惊悚恐怖片,大概讲述了;有个叫约翰的人意外的继承了一座豪华壮丽的城堡,这座豪华的城堡看似宁静却藏着很多秘密,这个城堡中还有一个长的极其丑陋的怪 物,怪物开始躲在暗处伺机攻击约翰和他的家人,这个怪物究竟是何人物,这座豪华的城堡和约翰的身世之间又有何关连呢？

　　An ex-convict, troubled by dreams that he strangles women, is hired as the caretaker on an estate owned by three very strange sisters. Soon after his arrival, a serial killer begins slaughtering blonde, blue-eyed women - and leaving their eyeballs in a bowl of water

　　A car, following the Tour de France. Children screaming in front of the puppet show. Women, often prostitutes, trying to scream as they are being strangled. Then he will meet Claire, the virgin who will give herself to him, and perhaps deliver him from his malediction. Written by Gregoire Dubost {gregoire.dubost@polytechnique.fr}

　　PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.
　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.
　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, 

　　作曲家以及音乐学院教授约翰•罗素（George C. Scott 饰）和妻子女儿共度假期，然而突如其来的车祸夺去妻女的性命。孤独悲伤的约翰离开纽约，来到西雅图一所大学任教。他在当地找到一栋已经空闲12年之久的旧房子，虽然破旧，但清静的环境正是和约翰的音乐创作。
　　但搬入后他却发现，每当早晨6点左右房子内就会传出奇怪的声音，不久后约翰更惊恐地意识到，房子里竟然还住着一个儿童的鬼魂。在鬼魂的示意下，约翰开始有意识的探究这栋房子背后所隐藏的秘密……