机器人与弗兰克

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　大卫（杰克·吉伦哈尔 Jake Gyllenhaal 饰）、米兰达（丽贝卡·弗格森 Rebecca Ferguson 饰）、罗里（瑞安·雷诺兹 Ryan Reynolds 饰）、秀（真田广之 饰）和休（阿利安·巴克瑞 Ariyon Bakare 饰）是在同一艘太空船上工作的宇航员们。一次偶然之中，他们在火星上发现了一个尚未成熟的生命体。休将这个生命体带回了实验室，让大家没有想到的是，这个小小的细胞在外界的刺激之下竟然开始了飞速的成长。
　　随着生命体的长大，事态的发展开始失去了控制，该生命体展现出了强大的攻击力和高超的智力，先后杀死了数名船员。不仅如此，大卫发现生命体似乎想随着飞船一起降落地球，而一旦它的阴谋得逞，地球上的人类势必将要面临灭顶之灾。

　　探险家正风 (李修贤) 到森林探险，遇到大猩猩及女泰山阿维。惜正风误堕娱乐商人鲁天圈套，猩猩王被带往香港表演。阿维不忍心大猩猩被凌辱，伤心不已。鲁意图污辱阿维，猩猩王大怒，大肆捣乱…

　　威廉·夏特纳和伦纳德·尼莫伊2001年为纪念DeKelley拍的纪录片，整部就是两个人对话，超级有爱，两位爷爷唠家常的纪录片，看到最后谈到两个人关于人生终点的看法，WS和LN一同坐在LN家里的院子里，晴空微风，绿树绿草，两位老人时而大笑时而严肃的交谈，让人感觉甜蜜又感动，这是ST所延伸的又一份美好。是经历了岁月越发耀眼的珍宝。

　　克莱顿软件公司的首席执行官，Faye Clayton，在他们的最新游戏项目“Evilution”之后，在她的开发团队中，收到了许多灾难性的测试预览，并开始寻找新的团队。在这个搜索过程中，她选择了一个著名的游戏设计师团队，Bug, Hardcore, Sol，以Peter Drummond作为替代。与此同时，他们被告知，通过创新手段，使游戏最恐怖的人将获得100万美元的奖金。尽管他们之间有竞争，但他们共同努力，让一个游戏足够吓人，让孩子们在四周内被吓到。就像索尔将他强大的人工智能芯片加入到硬盘中一样，雷击会导致能量的激增，从而给生活带来“邪恶”。程序员们很快就被限制在大楼里，成为他们创造的杀手游戏的目标，虚拟的噩梦开始了。

　　科学家吉姆深信自己解开了宇宙的奥秘，打造出可以穿越时空的机器，他在一次实验中发现一株疑似来自未来的大理花，并遇见拥有相同花朵的美女艾碧。当他越深入大理花的来历，越发觉迷人的艾碧并不单纯，不仅和觊觎时空机器的大老板关系匪浅，还可能让他的毕生研究岌岌可危。吉姆决定穿越时空去挽救一切，没想到过去的问题还没解决，未来的自己却受到牵连，命在旦夕，能够帮他的只有神秘的艾碧⋯⋯。

Acelebratedauthor’sstoryaboutageneticexperimentmorphsintoreality,whenitisreadbythreestrangers.Trappedinaroom,thefourdiscoverthatoneofthemmustbekilledtosavetherestfromanescapedundercoverrecruit.

　　面对“擦门而过”的台风三次转向，并且越来越远离这座拥有百万人口的城市，专家陈老师（宋晓英 饰）坚持台风仍有50%的可能性调头回来。依据以往防台工作“十防九空”的现实，在120万群众的安危和浪费38亿国家财产的面前，以徐市长（巫刚 饰）为主的市委领导坚持从人民群众的生命安全出发，宣布全市进入紧急状态，撤离工作在各种各样的质疑声中紧锣密布的进行。史无前例的18级台风掀起惊涛骇浪向着这座城市袭来，在城市的角落里，一些人没有来得及避险的人陷入危难之中。军民一心抗灾救人谱出一曲惊心动魄的乐章，人性在天灾面前绽放出瑰丽光辉。
　　本片以2006年8月份在我国浙江温州登陆的超级台风“桑美”为素材，由冯小宁执导，号称我国首部灾难大片。