傻傻爱你，傻傻爱我

1900年的巴黎，妓院普萝奈像一座宫廷一样，成为寒夜里最温暖的地方。波莉娜·德埃（Iliana Zabeth 饰）刚十五岁半，写了封自荐信要求到妓院工作，声称希望“自由”；美丽的玛莲娜（Alice Barnole 饰）遇上一个肯给她蓝宝石的客人，她以为是爱情，却迎来把她割成笑面人的刀子；朱莉（Jasmine Trinca 饰）不幸染上梅毒，老相好只给她写来情意绵绵的信，放任她死亡，只有姐妹们哭泣……妓院里浮光掠影着百年前的种种，男人和贵族们的奇怪欲望，女人们被持续物化，虐恋和疾病永不止息，假面舞会要终结怎样的痛苦……

　　电影讲述，乔波拿马拥有过人的音乐天赋，他的父亲希望他在这方面能有所建树，但乔自己却希望能成为一名拳击手。为此他说服濒临破产的拳击经纪人汤姆穆迪给他一个机会。在汤姆穆迪专业的指导下乔迅速上升，不久就成为著名拳手。但是“打假拳”的问题开始困扰乔，黄金男孩该何去何从呢。

　　In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Suess Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancee. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having "carnal knowledge of a Christian woman."
　　
　　Summary written by Kevin Rayburn

　　Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with...a vampire?

　　女子神秘失踪牵扯连环血案，变态“恶鬼”隐匿20年竟在身边？
　　养猪场兽医于娜（陈都灵 饰）夜行失踪下落不明，线索指向20年前犯下骇人听闻连环奸杀案的“恶鬼”，惨绝人寰的割耳手段令人毛骨悚然......新的受害者也陆续出现，7条无辜性命惨遭虐杀，然而真凶却人间蒸发？当年身陷此案的警察冯泰山（宁理 饰）决心揪出“恶鬼”，并寻找兽医于娜的踪迹，其养猪场雇主闫慧茹（刘敏涛 饰）一家，大儿子张晓军（王迅 饰）与小儿子张小伟（段博文 饰）行为怪异疑点重重，每个人似乎都有着不为人知的一面，调查逐渐陷入困境。凶手隐匿，极恶滔天，然而在真相背后，隐藏着一个更加血腥残忍的黑暗秘密……

　　已过不惑之年的阿平（小沢昭一 饰）以制作色情音像制品为生，偶然机缘他和房东——松田理发店的未亡人阿春（坂本スミ子 饰）相恋，并成为了实质上的夫妻。阿春虽渴望新的生活，但是心中却有着深深的忌惮。她相信丈夫去世那天降生的鲤鱼便是丈夫的化身，因此鲤鱼任何异常的表现都牵动着她敏感的神经。阿春还有一双儿女，幸一（近藤正臣 饰）是一名久久离不开母亲呵护的高中生，女儿惠子（佐川啓子 饰）则显得过于独立，且和阿平之间有着纠缠不清的暧昧。随着阿春突然病倒，这个普通却又奇怪的小家庭慢慢走向失衡……
　　本片根据野坂昭如的原作改编。

 捕快凌云（万梓良饰）走马上任，途中巧遇一流浪孤女爱奴（胡冠珍饰）露宿街头，饥寒交迫。凌云好心施舍一碗面并送其披风，二人结缘。

       春姨（余安安饰）操纵快活林的皮肉、人头生意，其手下小叶（张国柱饰）忠心耿耿，二人表面姐弟相称，私下实为亲密爱侣。一日快活林有新雏妓被送到。其中一女子容貌不俗，个性刚烈，宁死不从，春姨对其另眼相看。该女正是爱奴。

万梓良

       激烈的挣扎敌不过黑道势力强大，孤女惨遭蹂躏，无奈之下委身妓院。春姨软硬兼施，一面强迫爱奴接客，一面则甜言蜜语软化其戒心，并告知自己也有苦痛过往，表面风光无限，实则也是同病相怜。春姨教导爱奴如何征服男子，二人发生亲密关系，爱奴被春姨牢牢控制掌心。

       县太爷暴毙快活林妓院，凌云负责调查此案，再遇爱奴却未料其已沦为妓，悲愤交加之际遂以恶言相向。爱奴伤心欲绝，质问春姨是何居心，春姨劝爱奴死心，爱奴万念俱灰，遂决定自暴自弃。春姨愈加贪婪自私，只把小叶与爱奴当作玩物工具。爱奴决定报复，单纯之心逐渐转变。到底爱奴会变成什么样？孤女能否逃离魔窟？

　　小学生王葆（朱祺隆）天真活泼喜欢幻想，每当在学习上碰到困难，或在课余生活中遇到麻烦时，他就幻想有一个神奇的宝贝出现来帮他轻松地实现目标。某天，王葆在钓鱼时偶遇传说中能帮主人实现任何愿望的宝葫芦（陈佩斯 配音），喜出望外，宝葫芦不但帮王葆钓到了鱼、做成高级模型、完成课外作业，还变换成各种形状令他开心。
　　王葆在学校里突飞猛进的表现令同学们大为惊诧，刘老师（梁咏琪）也改变了原来看他的目光，而宝葫芦助他在泳池中大显神威，轻易获得参加校队的机会后，他的生活更是接近完美。然而，王葆逐渐发现宝葫芦原来不分青红皂白，只懂盲目服从……

　　维奥莱特（梅格翰·法伊 Meghann Fahy 饰）是一名多年来第一次约会的寡妇和单亲妈妈，她来到约会地点的一家高级餐厅之后，就因为她的约会对象亨利（布兰登·斯克莱纳 Brandon Sklenar 饰）比她预期中更有魅力和更帅气感到非常高兴。但是随着一连串的匿名讯息开始陆续传送到她的手机，维奥莱特就从一开始的烦躁逐渐陷入恐惧，而这两人之间原本擦出的火花也开始冷却下来。
　　后来她收到指示不准把这件事告诉任何人，而且必须遵守匿名讯息的指令，否则她透过手机上的家用监视器看到的帽T神秘人物就会杀死维奥莱特年幼的儿子以及正在当他保姆的姐姐。维奥莱特必须完全按照指令行动，否则她所爱的每个人都会死去，而一直在无形中折磨她的神秘人物最后的指令又是什么？杀死亨利。

　　身家数亿的高知女医生余笑琴（吴君如 饰）无意中在社交软件上结识了帅气多金的“法国大叔”。 以“消遣”的心态试水网聊的她，却逐渐被对方实时给到的情绪价值攻略。余笑琴本想好好“谈爱”，不料对方马甲下竟是一事无成的小鲜肉（张天赋 饰）与调情专家琼姐（邓丽欣 饰）等人组成的精密情骗团队。她无意入局，他们却处心积虑，一场情感较量即将展开……

　　T•C• Jeffords是一个自大、冷酷的农场主，他的女儿Vency一直希望代替死去的母亲，获得父亲的爱与权力，直到一天TC带回另一个女人。Vency与父亲决裂，并最终靠自己的力量夺走了农场。

　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
　　Roger Philip Mellor