因为失业而经济陷入困境的人们为了生活，把一切有价值的东西换成金钱作为赌注，赌局则是以命相搏，是非善恶已经无碍，这只是一场“玩命交易"...
一个夜晚，美艳而富有的女作家凯瑟琳（莎朗•斯通 Sharon Stone 饰）与某球星狂欢后驾车落入水中，结果该球星死亡而凯瑟琳却安然无恙。 警方怀疑这是一起谋杀案，委派精神病医生格拉斯（大卫·莫利塞 David Morrissey饰）对凯瑟琳进行精神鉴定。因为其他原因，凯瑟琳被无罪释放了。但此后她却要求格拉斯对其进行精神治疗，格拉斯也想通过凯瑟琳这个案例完成一篇学术论文。 在这个过程中，格拉斯被凯瑟琳的美丽与智慧所吸引，渐渐忘记了医生与病人的原则，陷入了无法自拔的情爱之中。 就在这时，他感觉身边的一切都发生了可怕的变化，而这些又都与凯瑟琳有关。他仿佛生活在这个女人所编织的无形的网中。 那么他能够逃离这个危险女人的掌控吗？他该如何抉择？
Based on a 1924 mystery novel by Agatha Christie, The Man in the Brown Suit was the eighth of Warner Bros. Television's Christie-inspired TV movies. Stephanie Zimbalist stars as an American tourist in Cairo (with Spain standing in for Egypt). She runs across a mysterious murder, and an odd encounter with a stranger; all this occurs even before she sets foot on a luxury liner with an all-suspect passenger manifest. It is established that the murderer, who is after a cache of valuable diamonds, is an internationally notorious criminal--but which one of the passengers is he (or she)? Maybe the villain romantic lead Simon Dutton, the "man in the brown suit" of the title...but don't discount such special guest suspects as Rue McClanahan and Tony Randall.
克林特·伊斯特伍德饰演一名神秘客，从热浪逼人的沙漠来到罪恶满城的拉高镇，并被邀请出手阻止三个刚出狱的枪手继续犯案。
Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
澳大利亚惊悚片，看着窗外缓缓变换的景色，彤恩的眼神略带焦虑，因为她刚犯下一宗伤害案，身后还引来一名男子的调查与追缉，她带着女儿驾车逃往偏远的山区，在当地旅馆躲了起来。母女俩待在这与世隔绝的小小世界，享受难得的相处机会，然而当紧追在后的男子出现，却将拆散两人仅有的世界。
平凡的一天，供职于洛杉矶某银行的经理玛丽·沃什（布莉特妮·墨菲 Brittany Murphy 饰）请假陪同男友凯文·皮特森（迪恩·凯恩 Dean Cain 饰）去做一项常规的韧带手术。一切看似正常，但是自从玛丽离开手术室后便再未见过凯文。由于等候过于漫长，她请求服务台查询手术情况，结果发现并没有凯文的治疗记录，原定的主刀医生休假，连当初接待的护士也查无此人。警方随后介入调查，结果依旧一无所获。警方和医院负责人大为光火，他们开始怀疑玛丽所说的一切，甚至认为她精神出现问题。真相究竟如何？凯文到底又在何方？ 本片女主角Brittany Murphy于2009年12月20日去世，享年32岁。
科学家研究狒狒身上的病毒，结果传染给几个年轻人，让他们发狂。
The PUPPET MASTER series finally concludes with its seventh, and straight-to-video, sequel THE LEGACY. Comprised mostly of clips from the previous features, the film centers around Eric Weiss (Jacob Witkin) the little boy saved by toymaker Andre Toulon in PUPPET MASTER 3. Now a grown man in pursuit of Toulon's secret for animating objects, Weiss relates the puppets' history--through flashbacks and archival footage from the first six sequels--to a woman named Maclain (Kate Orsini), unaware that the mysterious beauty is really an assassin out to destroy the puppet master's legacy
Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show Romy the Vampire Slayer. Unfortunately, her own demons show up.
